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| Solo Exhibitions |
| 2006 |
Play_gallery for Still and Motion Picture, Berlin, Germany |
| 2004 - 05 |
Lentos, Kunstmuseum, Linz, Austria |
| 2004 |
Edith-Russ-Site for Media Art, Oldenburg, Germany |
| 2003 |
Site Gallery, Sheffield, UK |
| 1998 |
Conductors Hallway, London, UK |
| 1996 |
LXX Udstillingsstedet, Arhus, Denmark |
| 1994 |
Context Gallery, Londonderry, Northern Ireland |
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| Group Exhibitions |
| 2006 |
Artissima, Play_gallery for Still and Motion Pictures, Italy |
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Krieg der Knoepfe, Ursula Blickle Stiftung, Stuttgart, Germany, |
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Kunsthalle Arhus, Denmark and Landesmuseum, Linz, Austria (forthcoming) |
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Happy Believers, 7. Werkleitz Biennale, Halle, Germany |
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Coolhunters, Kunsthalle Budapest, Hungary |
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Flagmetamorphesis, “State of the Image”, Square Eyes Festival, Arnhem, The |
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Netherlands, Paraflows 06, Vienna, Austria and Progr – centre for cultural productions, Bern screened at central stations in Bern, Zuerich, Basel & Geneva |
| 2005 |
Loop, Festival/Art Fair, Barcelona, Spain with Cell Project Space (London, UK) |
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Videodictionary, Centre d’Art Santa Monica, Barcelona, Spain |
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Coolhunters Kunstverein Wien, Austria |
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FAIR PLAY, PLAY_gallery for still and motion pictures, Berlin, Germany |
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Transmission Portfolio, Haus am Luetzowplatz, Berlin, Germany |
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Sometimes lovers, sometimes friends, Lentos, Kunstmuseum, Linz, Austria |
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Coolhunters, Staedtische Gallerie, Karlsruhe, Germany and |
| 2004 |
“TAINMENT” NGBK, Neue Gesellschaft fuer Bildende Kunst, Berlin, Germany |
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No Pre No Con, Moriarty Gallery, Madrid, Spain |
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In-Between, Gallery 101, Ottawa, Canada |
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Videodictionary, Prenelle Gallery, Premiere at UGC Cinema, London |
| 2003 |
Sharjah International Biennial 6, Sharjah Art Museum, Sharjah, UEA |
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Akademie Schloss Solitude, Stuttgart, Germany |
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Videowineart, Budapest, Hungary |
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“Platz da” STRICTLY PUBLIC, Duesseldorf, Germany |
| 2002 |
“There’s no accounting for other peoples relationships”, Ormeau Bath Gallery, |
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Belfast, Irland |
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Strictly Public, Frankfurt, Germany, and other major German cities |
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Voltti, The Finnish Museum of Photography, Helsinki, Finland |
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The difference between you & us, FIVE YEARS, London |
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Neverland, Cell Project Space, London |
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Inglesia Universal, Open Air cinema event, London, curated by artlab |
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Kunstkanaal Amsterdam, Cable TV Screenings in Amsterdam, Rotterdam & The Hague, The Netherlands |
| 2001 |
The Inner State, Kunstmuseum Lichtenstein, Vaduz, Lichtenstein; |
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Gymnasion, Kunstverein, Bregenz, Austria |
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Videonale 9, Kunstverein Bonn, Germany |
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Voltti , The Loennstroem Art Museum, Rauma, Finland |
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As far as the eye could see, Stark Gallery, New York, USA |
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Remote Sensing, Touring exhibition, Prema, Uley, Gloucestershire |
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Screen and screen again, Touring exhibition, Watershed Arts Centre, Bristol |
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Please disturb me, Great Eastern Hotel, London |
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Forever Yours, Woodenheart, London |
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Teeth & trousers, Cell Project Space, London |
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Break in Theatre 2, Video screening events at Yokohama Trienale, Tonchiki House, Prefectual Hall, Kanagawa & Kobo & Toma, Ginza, Chu-oh ku, Tokyo, Japan |
| 2000 |
The Other Side of Zero, Video Positive 2000, Tate Gallery Liverpool |
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Blue Screen at Levi’s, Levi’s Store Regent Street, London |
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Camera con vista, Teatro Valle, Rome, Italy |
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Docudrama, Bury St Edmunds Art Gallery |
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warningShots, Royal Armouries Museum, Leeds, |
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Unit 26 com , the new art democracy, a web based exhibition project |
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Remote Sensing: outlook and observation, Spacex Gallery, Exeter |
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plus screening at d-net, LUX Centre, London; |
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Performing Bodies, Tate Modern, London |
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<hers> - Video as a Female Terrain, Joanneum, Graz, Austria |
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Break in theatre 1, Gallery Le Deco, Shibuya, Tokyo, Japan and Yokohama |
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Triennale, Kanagawa Prefectual Hall, Kanagawa, Japan |
| 1999 |
Loved Up, Artesium Gallery, Luton |
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Sweetie , The British School in Rome, Italy (and other venues) |
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Video Cult/ures, Museum for Contemporary Art, Karlsruhe, Germany |
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Fourth Wall, Royal National Theatre, London |
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M’sieur Tarzan, Perugi artecontemporanea, Padova, Italy |
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Manufacturers. The Paper Factory, London |
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MAN, Museo d’Arte Nuoro, Sardinia |
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This Other World of Ours, Art Media Centre - TV Gallery, Moskow, Russia |
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Fjar-skyn, Nylistasafnid, The Living Art Museum, Reykjavik, Finland |
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UK/NY, Film and Video Umbrella touring programme, Brazil, South America |
| 1998 |
SELECT, Arnolfini, Bristol: Camden Arts Centre, London, Angel Row Gallery, Nottingham, Turnpike Gallery, Leigh, Greater Manchester |
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What difference does it make , Cambridge Darkroom Gallery, Cambridge |
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East International, Norwich Gallery, Norwich |
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SORTED, Ikon Gallery, Birmingham |
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Cluster Bomb, Morrison Judd Gallery, London |
| 1997 |
UK/NY, Film and Video Umbrella touring programme, various venues in the UK, USA and South America |
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Jason & Rhodes Gallery, London |
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New Video from Great Britain, The Museum of Modern Art, New York |
| 1996 |
Pandaemonium, Institute of Contemporary Art, London |
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New Contemporaries 96, Tate Gallery, Liverpool and |
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Camden Arts Centre, London |
| 1995 |
AVE, Arnhem, The Netherlands |
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Moderna Galerija, Ljubljana, Slovenia |
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Multimedia Centre, Zagreb, Croatia |
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Gang Warfare, IAS, London and |
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The Mc Kiney Avenue Contemporary, Dallas, Texas |
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LXX Udstillingsstedet, Arhus Denmark |
| 1994 |
Potato, Independent Art Space, London |
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10' Video Brazil: Festival International de Arte Electronica, |
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SESC San Paolo, Brazil |
| 1992 |
Abstract Still Life Portrait, Kettle's Yard Gallery, Cambridge and |
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Blue Coat Gallery, Liverpool |
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