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          |  |  The
            Swiss artists Frédéric
          Moser und Phillippe Schwinger will present their new video „Capitulation
          Project“ together with film- and stage constructions as a Video
          installation at Gallery PLAY. 
 Moser & Schwinger aim at questioning our present according to symbols
        and war metaphors in the media. Their work is based on «Commune»,
        a piece of „Performance Group“ which in New York in 1971
        disrupted conventions: In the 70ies «Commune» referred to
        the massacre of My Lai, one of the documented atrocities of the Vietnam
        war. In this historic performance Moser & Schwinger discover the
        dimension of the allegory as difference to the images of the modern idea
        of “clean” war.
 
 For their «Capitulation Project» they have chosen the fragment
        of the historic performance where the active integration of the audience
        had at this point an essential role for the further development of the
        situation. In 1971 „Performance Group“ experimented with
        four variations of this interaction. Thirty years later, Moser & Schwinger
        now create a fifth contemporary variation. For their shooting they reconstruct
        the scenery of the old performance and actors take over the role of the
        performer, who question the supernumerary audience in the role of a reporter,
        soldier and sergeant.
 
 «
        Capitulation Project» will be filmed in 16 mm with live sound and
        last about fifteen minutes. Beyond the atmosphere of an audience incited
        by the provocation of the performers, beyond the eruption of simultaneous
        action in several places, the film will take stock of the time that has
        passed, and of the repetition of such atrocities. Independently from
        daily politics and beyond the recent American History My Lai becomes
        a topos, which will always concern and paralyze mankind.
 
 
 
          
            |  |  The fragment of the performance, loosely based on photographic documents
          and reports, becomes the subject of a film. A film collage emerges, using
          a new language developed by the artists, which combines elements of performance
          as well as film.In the presentation at PLAY gallery, the distance to the performance
          caused by the film will get an extensive meaning and a new spatial
          relation. Opposite to the large-format projection of the film will
          be the wooden wave which was used in the film shooting by the performer
          and also by the audience. Now being reserved for the gallery visitors
          a mirror effect will be created.
 
 
 Further
          presentation of the installation:
 Kunstraum Walcheturm, Zurich – 30th of October – 7th of
          November 2003
 Artissima, Turin - November 2003
 Centre PasquArt, Biel - January 2004
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