| The Berlin-based, Iranian artist
      Shahram Entekhabi presents at the PLAY Gallery, from March 20 through April
      10, 2004, the exhibition project “i?”. The video "Happy
      Meal" shows a little girl covered with a chador (veil) inside a McDonalds
      restaurant; with rapture she is eating a menu that was created especially
      for children, labeled „Happy Meal“. Upbeat trendy Islamic songs
      in praise of Allah that are sung by children form the background sound
      for the video. Not only does the work confront two opposing conceptions
      of childhood with one another; the western consume oriented pragmatism
      versus the eastern, with its focus on spiritual well-being in the beyond,
      but it also points to a new dimension, a „third culture“. The
      girl suggests the symbiotic relationship between two cultures that allows
    for a new culture to germinate. | 
  
    | The current video production touches upon a related thematic complex: “i?” consists
        of ten episodes describing a day in the life of the protagonist O, played
        by Shahram Entekhabi. The video is inspired by Samuel Beckett’s
        film Film, starring Buster Keaton, a work already evoked by Gilles Deleuze
        in reference to his subdividing the moving image into images of action,
        images of perception, and images of affect. Like in Film, its predecessor, “i?” deals
        with the complex of seeing and being seen, observing and perceiving,
        and reflects on the famous dictum of the Irish bishop Berkeley: “Esse
        est percipi” (To be is to be perceived). In Entekhabi’s interpretation
        of the theme, however, the complex is expanded around the self and foreign
        perception through both a migratory perspective and the question of identity
        between two cultures. Therefore, in the film, the perspectives of the
        protagonist and camera continually alternate; and apart from the final
        scene, O’s face (and later the appearance of his “twin”)
        is never shown. The film begins and ends in a closed cycle within the
        protagonist’s apartment, with the action revolving at all times
        around O’s reflection. The 12 minute video-film „Herr Karl aus Nemsa“ (Mr. Karl
        from Nemsa) is presented as being Shahram Entekhabis and Helmut Kandl
        joint project. Historic archive material from the beginning of the
 20th Century taken from the Austrian State Museum displays images of
        the Islamic world. Paired with the sequence of pictures are quotations
        from the writer Karl May*. Prayer and religious chants make up the background
        soundtrack. Again, the differentiation within the specific nationalities
        and the prejudices against them, are examined.
 As closing part of the project, the results of a five-day workshop that
        Shahram Entekhabi did together with nine youths and the "Next-Interkulturelle
        Projekte" are presented. Three video films were produced that reflect
        on Shahram Entekhabi work “i?” and deal with questions of
        identity as well as topics such as self-image, voyeurism and being the
        object of observation.
 The exhibition takes place parallel to the project Far Near Distance:
        Contemporary Positions of Iranian Artists, on view at the House of World
        Cultures (March 20 to May 9, 2004), where Shahram Entekhabi participates
      with the installation Kilid.
 
 *(Karl May is a German writer popular for his
      cowboy and Indian novels.)
 Thanks to Helmut Kandl; Next. Interkulturelle Projekte;
          Hermann-Köhl-Oberschule,
 Berlin-Tempelhof; Haus der Kulturen der
          Welt, Niederöstereichisches
        Landesmuseum
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