 |
|
| |
| FILMOGRAPHY |
| Short and medium films |
| 1987-88 |
Klossowski, peintre-exorciste |
| 1989 |
Le gai savoir de Valerio Adami |
| |
Divertissement à la maison de Balzac |
| 1990 |
La chambre des muses |
| |
Alechinsky sur Rhône |
| 1991 |
PAB l’enchanteur |
| 1992 |
Samout et Moutnefret |
| |
L’oeil du poète |
| 1995 |
Le démon du passage |
| 1998 |
Cartographie |
| 2000 |
Michel Butor Mobile |
| 2002 |
Lost Paradise |
| 2005 |
Amour Neutre |
| 2006 |
Pavillon Noir |
| Long feature films |
| 1991-93 |
C’est de l’art |
| 1995-97 |
Le grand récit |
| 1993-98 |
L’homme noir |
| 1999 |
Balkan Baroque |
| 2002 |
Les guerriers de la beauté |
| 2004 |
Somewhere in between |
| Videos from 35mm |
| 1995 |
Rubato |
| 2002-2003 |
Lost Paradise 2 & 3 |
| 2006 |
Who’s who? |
| |
(Who’s Marina Abramovic?, Who’s Michelangelo Pistoletto?, Who’s Meg Stuart?) |
| |
Delectatio morosa |
| |
|
| CINEMA RETROSPECTIVES |
| 1991 |
PIERRE COULIBEUF FILMMAKER.
National museum of modern art/Centre Pompidou, Paris. |
| 2004-2007 |
PIERRE COULIBEUF - THE DEMON OF PASSAGE (7 films in 35 mm)
Rencontres internationales de la Photographie, Arles (France); Cinematheque of Bergen (Norway); Otago Museum, Dundin (New-Zealand); Roma Film Festival (Italy); Image Forum Festival-Experimental Film & Video, Tokyo (Japan); Musée des Arts Visuels, Montevideo (Uruguay); International Biennial of contemporary art of Mercosul, Porto Alegre (Brazil); Itau Cultural, Sao Paulo, Brazil; Museo de Arte Contemporaneo (MARCO), Monterrey (Mexique); Komunitas Utan Kayu, Jakarta (Indonesia); Estudio Abierto, Buenos Aires (Argentina); Teatro Miela, Trieste (Italy); CinéMac-Musée d’art contemporain de Marseille (France); Museo Nacional de Bellas Arte/MNBA, Buenos Aires (Argentina); PULSAR Caracas 2006 (Venezuela); French Film Festival, Reykjavik (Iceland)... |
| |
|
| 2006 |
PIERRE COULIBEUF – WIE EIN SCHATTEN IN DER FERNE / COMME UNE OMBRE LOINTAINE
Retrospective in Germany: Kino Arsenal, Berlin; Abaton-Kino, Hamburg; Filmmuseum München; die naTo-Cinémathèque Leipzig; Black Box, Düsseldorf; Filmhaus im Künstlerhaus, Nüremberg; Kommunales Kino, Hannover; Kommunales Kino, Freiburg. |
| |
|
| PUBLIC COLLECTIONS |
| Collection cinématographique of National museum of modern art/Centre Pompidou, Paris (France) |
| Fonds Régional d’Art Contemporain (FRAC) de Bretagne (France) |
| Fonds National d’Art Contemporain (FNAC), Puteaux (France) |
| Collection Claudine et Jean-Marc Salomon, Annecy (France) |
| Fonds Départemental d’Art Contemporain de l’Essonne (France) |
| Sammlung Goetz, München (Germany) |
| GAM/Galleria Civica d’Arte Moderna e Contemporanea, Torino (Italy) |
| NBK/Neuer Berliner Kunstverein, Berlin (Germany) |
| |
| BOOKS AND CATALOGUES |
| PAB L’ENCHANTEUR. Musée-Bibliothèque P.A. Benoit (collection Les Cahiers de Rochebelle) Alès, 1991. |
| C’EST DE L’ART. La Différence (collection Mobile Matière) Paris, 1993. |
| LE BUREAU DE L’HOMME NOIR. Artist book. 100 copies, 1994. |
| LE GRAND RÉCIT. Texts by P. Coulibeuf et Denys Zacharopoulos. Center for contemporary art, Domaine de Kerguéhennec, Bignan, France, 1997. |
| LES GUERRIERS DE LA BEAUTÉ. Texts by Bruno Di Marino and Laurent Goumarre. Yellow Now (collection Côté Cinéma) 2003. |
| LE DÉMON DU PASSAGE. Under the direction of Laurent Le Bon, Curator at the National Museum of Modern Art/Pompidou Center. Co-edition Yellow Now / Ministry of Foreign Affairs, 2004 (French/English/Spanish). |
| PISTOLETTO / L’HOMME NOIR. Texts by Pierre Coulibeuf, Michelangelo Pistoletto, Bruno Di Marino. Actes Sud, 2004. |
| ...WIE EIN SCHATTEN IN DER FERNE /...COMME UNE OMBRE LOINTAINE. Co-edition Fine Arts Unternehmen Books, Switzerland / French Embassy in Germany – Bureau du Cinéma - Bureau des Arts Plastiques - AFAA, 2006. |
| MICHEL BUTOR MOBILE. Texts by Jean-Luc Nancy, Bruno Di Marino, Pierre Coulibeuf. Yellow Now, 2006. |
| PAVILLON NOIR. Interview Angelin Preljocaj, Rudy Ricciotti. Photos by Pierre Coulibeuf. Éditions Xavier Barral, 2006. |
| |
| FESTIVALS / EXHIBITIONS (selection) |
| 1995 |
Centre d’art contemporain, Domaine de Kerguéhennec, France |
|
Centre d’art contemporain, Vassivière en Limousin, France |
| 1996 |
Centre d’art contemporain, Domaine de Kerguéhennec, France |
| 1999 |
28th International Film Festival Rotterdam, The Netherlands |
|
35th Mostra Internazionale del Nuovo Cinema de Pesaro, Italy |
|
23th Mostra Internacional de Cinema de Sao Paulo, Brazil |
|
12th Image Forum Festival-Experimental Film/Video, Tokyo, Osaka, Yokohama, Fukuoka, Japan |
|
28th International Festival New Media & New Cinema, Montreal, Canada |
|
18th Vancouver International Film Festival, Vancouver, Canada |
| 2000 |
11th Festival Alpe Adria Cinema, Trieste, Italy |
|
13rd Rencontres Cinématographiques de Manosque, France |
|
5th Kerala International Film Festival, Kerala, India |
| 2001 |
Centre Pompidou / BPI, Paris |
|
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain |
|
9th BIM/Bienniale of Moving Image, Centre pour l’image contemporaine, Genève, Switzerland |
| 2002 |
55th Locarno International Film Festival, Locarno, Switzerland |
|
29th Flanders International Film Festival, Gand, Belgium |
| 2003 |
32th International Film Festival Rotterdam, Rotterdam, The Netherlands |
|
26th Göteborg Film Festival, Sweden |
|
15th Image Forum Festival-Experimental Film/Video, Tokyo, Kyoto, Yokohama, Fukuoka, Japan |
|
4th Seoul Net & Film Festival, Seoul, Korea |
|
Museum fur Angewandte Kunst, Köln, Germany |
|
ZKM / Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany |
|
Argos Festival, Argos Galerie, Bruxelles, Belgium |
|
10th BIM/Bienniale of Moving Image, Centre pour l’image contemporaine, Genève, Switzerland |
| 2004 |
3rd Tiburon International Film Festival, California, USA |
|
57th Locarno International Film Festival, Locarno, Switzerland |
|
Théâtre des Salins-Scène Nationale, Martigues, France |
|
Rencontres Internationales de la Photographie, Arles, France |
|
Ultima Festival, Oslo, Norway |
|
Festival Images’04, Vevey, Switzerland |
| 2005 |
26th FilmFestival Max Ophüls Preis, Sarrebrücken, Germany |
|
17th Image Forum Festival-Experimental Film/Video : Tokyo (Park Tower Hall); Kyoto (Goethe Institut); Fukuoka (City Public Library); Nagoya (Aichi Arts Center); Kanazawa (21st Century |
|
Museum of Contemporary Art); Yokohama (Yokohama Museum of Art), Japan |
|
Centre d’art du Domaine départemental de Chamarande, France |
|
Rencontres Internationales de la Photographie, Arles, France |
|
58th Locarno International Film Festival, Locarno, Switzerland |
|
Art Star 2 Video Art Biennial, Saw Gallery, Ottawa, Canada |
|
Printemps de Septembre, Toulouse, France |
|
Saw Gallery*, Ottawa, Canada |
|
5th International Bienniale of contemporary Art of Mercosul, Porto Alegre, Brazil |
|
Museo Nacional de Artes Visuales, Montevideo, Uruguay |
|
Museo de Arte Leopoldo Gotuzzo (MALG), Pelotas, Brazil |
|
11th Bienniale of Moving Image, Centre pour l’image contemporaine, Genève, Switzerland |
| 2006 |
Deichtorhallen-Haus der Photographie*, Hamburg, Germany |
|
Galerie der HGB-Hochschule für Grafik und Buchkunst*, Leipzig, Germany |
|
PLAY_Gallery for still and motion pictures*, Berlin, Germany |
|
Galerie Traversée*, Munich, Germany |
|
Institut français*, Munich, Germany |
|
Institut français*, Düsseldorf, Germany |
|
Neues Museum Weserburg, Bremen, Germany |
|
Kulturni centar Beograda, Belgrade, Serbia |
|
DIVA Fair, New York, USA |
|
LOOP Video Art*, Barcelone, Spain |
|
Vdance, Tel-Aviv, Israël |
|
Bibliothèque Nationale de France, Paris, France |
|
59th Locarno International Film Festival, Locarno, Switzerland |
|
ART FRANCE BERLIN / PLAY_Gallery for still and motion pictures*, Berlin, Germany |
|
PULSAR Caracas 2006*, Periférico Caracas (G/O), Venezuela |
|
Taïpei Poetry Festival/tpf*, Taïpei, Taiwan |
|
Musée-Château*, Annecy, France |
| 2007 |
Blackwood Gallery, Toronto, Canada |
|
Galerie Traversée*, München, Germany |
|
29th Short Film Festival of Clermont-Ferrand, France |
|
18th Trieste Film Festival-Alpe Adria Cinema, Trieste, Italy |
|
16th Côté Court Festival, Pantin, France |
|
ArtBrussels, Bruxelles, Belgium |
|
19th Image Forum Festival-Experimental Film/Video: Tokyo (Park Tower Hall); Kyoto (Goethe Institut); Fukuoka (City Public Library); Nagoya (Aichi Arts Center); Yokohama (Yokohama Museum of Art), Niigata (International Image Media College), Japan |
|
Redcat, Dance Camera West Festival, Los Angeles, USA |
|
Yokohama French VDO Collection, Red Brick Ware House, Yokohama, Japan |
|
Center for contemporary art, Lacoux, France |
|
Berardo Collection Museum, Lisboa, Portugal |
|
60th Locarno International Film Festival, Locarno, Switzerland |
|
(*: solo exhibitions) |
|
|
| ARTICLES (selection) |
| Cornelia Gockel, « Heroen der Kunstgeschichte », SÜDDEUTSCHE ZEITUNG, Germany, 16 March 2007 |
| Carine Bel, « Le cinéma entre l’art et la danse » et « L’univers de Jan Fabre au cinéma », LE DAUPHINE LIBERE, Annecy, France, 30 January 2007 |
| Noah Buchan, « Poetry fest brings trouble to town », TAÏPEI TIMES, Taiwan, 3 November 2006 |
| Pierre-Yves Walder, “Le Who’s who de Pierre Coulibeuf”, PARDO NEWS, 9 August 2006 |
| Lewis Segal, “Critic’s choice: Highlights of Dance Camera West 2006”, LOS ANGELES TIMES, USA, 28 May 2006 |
| Michael Stadler, “Schöner Schwarzer Mann”, ABENDSZEITUNG, München, Germany, 16 May 2006 |
| Cornelia Gockel, “Wahn und Wirklichkeit”, SÜDDEUTSCHE ZEITUNG, Germany, 11 May 2006 |
| Zorana Djakovic, “Pariz/Beograd, srodnost po izboru”, DANAS, Belgrade, Serbia, 15-16 April 2006 |
| Jean-Luc Douin, “Somewhere in between”, LE MONDE, 5 April 2006 |
| Jacques Morice, “Somewhere in between” TELERAMA n° 2934, 5 April 2006 |
| Fabienne Arvers, “Somewhere in between”, LES INROCKUPTIBLES n° 540, 4 April 2006 |
| Hendrik Pupat, “Zwischen den Bildern - Pierre Coulibeuf in der Galerie der Leipziger Hochscule für Grafik und Buchkunst, LEIPZIGER VOLKSZEITUNG, Germany, 3 April 2006 (and 22/3/2006 : “Schaffensprozesse”) |
| Katrin Bettina Müller, “In viele Häute schlüpfen”, TAZPLAN BERLIN, 18 March 2006 |
| Birgit Kohler, “Somewhere in between - Pierre Coulibeufs Filme”, ARSENAL PROGRAMME, Berlin, March 2006 |
| Simone Regina, “C’è il demone di Coulibeuf”, IL PICCOLO, Italy, 17 November 2005 |
| Vidya Vencatesan, “Creating accidents of destiny”, DNA Mumbai, India, 15 October 2005 |
| Zehra Jumabhoy, “The Demon of Passage”, TIME OUT MUMBAI, India, 7-20 October 2005 |
| Anna Ängström, “Med Kroppen som blickfang”, SVENSKA DAGBLADET, Sweden, 11 October 2005 |
| Äsa Ekelund, “Dansfilm rymmer nagot för alla”, STOCKHOLMS FRIA TIDNING, Sweden, 7 October 2005 |
| Camila Molina, “Começa a 5.a Bienal do Mercosul”, ARTE E LAZER, 30 September 2005 |
| Roberto Ribeiro, “Cultura: Bienal em Pelotas em forma de videos”, DIARIO POPULAR, Pelotas, Brasil, 10 November 2005 |
| Thomas Hahn, “Somewhere entre-deux”, BALLETTANZ - Das Jahrbuch 2005, Berlin, Germany, August 2005 |
| Joanne Giger, “Image fixe, image-mouvement”, PARDO NEWS, Switzerland, 3-4 August 2005 |
| Nelson Di Maggio, “ARTE - Mercosur y Lyon, bienales a la vista”, in LA REPUBLICA-Uruguay, 17 July 2005 |
| Frédéric Maire, “Les derniers feux d’Irène”, L’EXPRESS, Switzerland, July 2005 |
| Towheed Feroze, “Festival of documentaries - Post modernist visions coated with lust” in NEW AGE TIME OUT (Dhaka, Bangladesh), 25 November 2004 |
| Marit Stommen, “The Body Laughs Last”, BALLETTANZ, November 2004 |
| PY W, “Quand le cinéma entre dans la danse”, PARDO NEWS, Switzerland, 8 August 2004 |
| Stephan Urbaschek, “Pierre Coulibeuf”, in catalogue FAST FORWARD-MEDIA ART SAMMLUNG GOETZ, October 2003 |
| Gwénola Martel, “‘Guerriers’ d’emphase - une fiction expérimentale sur l’univers singulier du chorégraphe Jan Fabre”, LIBERATION, 17 July 2003 |
| Thierry Fourneau, “Les guerriers de la beauté”, ZEUXIS n°11, Summer 2003 |
| Isabelle Fajardo, “Les guerriers de la beauté”, TELERAMA n° 2792, 19-25 July 2003 |
| Rosita Boisseau, “La chambre double de W. Forsythe - Le chorégraphe, acteur de cinéma, aveugle séparé du monde”, LE MONDE, 26 September 2002 |
| Daniel Kothenschulte, “Durch die Wüste - eine Reise vom Film zur Kunst und zurück auf dem Filmfestival in Locarno”, FRANKFURTER RUNDSCHAU, 6 August 2002 (Frankfurt, Germany) |
| Marc Mercier, “Vidéo, Croatie : sous le signe du quetzal”, BREF n° 46, Autumn 2000 |
| Emmanuelle Lequeux, “Balkan Baroque”, LE MONDE-ADEN, 15-21 November 2000 |
| Charles-Edouard Leroux, “Balkan baroque”, LE COURRIER DE MANTES, 15 November 2000 |
| Myriam Boutoulle, “Marina Abramovic au cinéma - Balkan Baroque”, CONNAISSANCE DES ARTS n° 577, November 2000 |
| Cineinfo.fr, “Balkan Baroque”, 22 November 2000 |
| Yann Gonzalez, “Balkan Baroque”, CHRONIC’ART, 22 November 2000 |
| Frédéric Bas, “Balkan Baroque”, LES CAHIERS DU CINEMA n° 551, November 2000 |
| Nicolas Thély, “baroque’n’ roll”, LES INROCKUPTIBLES n° 265, November. 2000 |
| Marine Landrot, “Balkan Baroque”, TELERAMA n° 2653, 18-24 November 2000 |
| Gilles Bastogy, “Marina au 3ème degré”, CASSANDRE n° 38, November -December 2000 |
| Nishijima Norio, “Imageforum Festival 1999”, IMAGE FORUM-CONTEMPORARY ART AND FILM JOURNAL, vol.1 n°1, Summer 1999 (Tokyo, Japan) |
| Bruno Di Marino, “Il demone dell’arte”, SEGNO CINEMA n° 106, November -December 2000 (Roma, Italy) |
| Bruno Di Marino, “Marina recita Abramovic”, ARS n° 24, December 1999 (Roma, Italy) |
| Philippe Dagen, “C’est de l’art”, LE MONDE-Suppl. Radio-Télévision, 12 January 1998 |
| Denys Zacharopoulos, “Insomnie”, ARTI INTERNATIONAL n°29, May-June 1996, (Athens, Greece) |
| Dominique Rabourdin, “C’est de l’art”, L’EVENEMENT DU JEUDI, 17-23 June 1993 |
| Florence Maillet, “Paroles d’artistes”, LE JOUR, 16 June 1993 |
| Michèle Lafabrie, “C’est de l’art”, L’OEIL n° 452, June 1993 |
|
| INTERVIEWS (selection) |
| Elfi Reiter, “La metamorfosi perpetua del guerriero della bellezza - intervista a Pierre Coulibeuf”, ART’O n° 20, Italy, Spring 2006 |
| “Image fixe, image-mouvement” in PARDO NEWS, Festival international du Film de Locarno, Switzerland, 3 et 4 August 2005 |
| “Entretien avec Pierre Coulibeuf” in FILM DE CULTE (www.filmdeculte.com/entretien/coulibeuf1.php), interview by Julie Anterrieu, 19 July 2003 |
| “Le guerrier de la beauté”, interview by Stéphane Delanoë in DOUBLE n° 4, Winter 2003 |
| “Close encounters of another kind : Pierre Coulibeuf et Jean-Marc Bustamante”, interview and text in JANUS n°11, Belgium, Summer 2002 |
| “Rencontre avec Pierre Coulibeuf - à propos de Balkan Baroque”, interview by Marceau Aidan and Lucien Logette in JEUNE CINEMA n° 265, France, December 2000 |
| “A propos de Balkan Baroque et de quelques autres films”, interview by Gisèle Breteau-Skira, in ZEUXIS n°1, France, Autumn 2000 |
| |
|
| |
|
|
