Near the eternal Dionysus
recurrence, I think over the memory theme and bewildering by
proposing a video installation realized with the joint work
of some Berliners called to rake up land of an ideal natural
space situated down town as if behind this simple sign was
hidden the will of getting back ones origins. To quote Fedor
Dostoevskij, they are the memories of the underground reported
in the open air through a self analysis extended to the extreme
weakness.
Raking up land was a way to carve inside our incomprehensible,
obscure and mysterious world in order to focus the attention
on this primary element, centre of death and germination, to
go temporarily off the closed rhythms of the society, by trying
to hear our most secret part through the undergrounds of soul.
Moreover, I wished to underline the relation between identity
and formative process of the work, from the consciousness that
any individual is a multitude. |