 |
|
| |
selected
exhibitions |
| 2005 |
ebb and flow (group exhibition), Three Colts Gallery, London,
UK |
|
london video,jap/
la Raffinerie, Brussels, in preparation |
|
too close is good too,play
Gallery, Berlin (solo), in preparation |
2004 |
worn out wash monkeys,
Murdermile, London |
2003 |
baglady, cell project space,
London |
|
24/7: Wilno - Nueva York (visa para),
Contemporary Art Center, Vilnius, Lithuania |
|
bartleby&co, Van Abbemuseum,
Eindhoven, Netherlands |
|
insulator, 1000000mph,
London (solo) |
|
What is to be Done, The
Lenin Museum, Tampere, Finland, and touring |
2002 |
Art et Télévision,
jap/ la Raffinerie, Brussels, Belgium |
2001 |
replay, Hoxton Distillery,
London (solo) |
|
so nearly exotic- etelän hetelmiä,
Academy of Fine Arts, Helsinki, Finland |
|
Antarctica, Entwistle Gallery,
London |
|
The Poster The Show, Hoxton
Distillery, London |
|
Nights In, Gasworks Gallery,
London |
2000 |
telenicc, Télé Bruxelles,
Brussels, Belgium |
|
art to z, Zwemmer’s
Art Gallery, London |
|
|
selected publications
and conferences |
2004 |
‘Possible Politics’, day
conference with Susan Kelly/ 16 Beavers, David Cross/ Cornford
and Cross a.o., Yesvember, House Gallery, London,
Nov.28th 04 |
|
‘None of this is an answer’,
in Pilot:1. International Art Forum London, London
2004, p.61 |
|
‘Blindheiten’ (with
Ralf Christofori), in The Book By/Johannes Maier,
Fine Art Unternehmen Books, Berlin, forthcoming |
|
Borrowed where? Appropriation now
in art and society, panel discussion with Goshka
Macuga and JJ Charlesworth, Perfectly Placed, South
London Gallery, Aug.19th 04 |
|
‘Parallel, oblique, overlapping.
Monika Oechsler’s Schauspiel’, in exh.cat. Monika
Oechsler, Lentos Kunstmuseum Linz/ Site Gallery, Sheffield,
forthcoming |
2003 |
Art History and Deconstruction.
Reassessing the Deferral of Meaning, round table
discussion with Peter Dews, Liam Gillick and Peter Hallward, ‘Theory
as Object’ Conference, Courtauld Institute, London,
Nov 29th 03 |
|
‘Ambient Lounge. La notion
de l’environnement dans l’art actuel’,
jap lecture, Palais des Beaux Arts, Brussels (B), Nov.5th
2003 |
|
‘Laute Subjekte. Kutlug Atamans
Nahaufnahmen’, in Nichts als die Wahrheit,
Texte zur Kunst 51, Sept 2003, pp.195-199 |
|
‘Strategies of Stealth’, Serpentine
Gallery think tank, Serpentine Gallery, London, July 22nd 2003 |
|
‘Overlaps’,
in exh.cat. Zabriskie. Beatrijs Albers, Emilio
López-Menchero, Reggy Timmermans, Brussels 2003,
pp.46-63 |
|
‘Utensils/ Keith Farquhar’, ‘Cuts
and flowers/ de Rijke de Rooij’, ‘Formations
and their painting/ Tim Stoner’, ‘West
German Trash/ Marco Lulic’,all
in: exh. cat. nation, Frankfurter Kunstverein, forthcoming |
|
‘Ambient Effects. Symptoms
and side effects of virtual centres’, in exh.
cat. CENTRE OF ATTRACTION. 8th Baltic Triennial of International
Art, Contemporary Art Centre, Vilnius (L) 2003, pp.169-174 |
|
‘Infiltrations’,
jap lecture, Palais des Beaux Arts, Brussels (B), January 28th
03 |
|
‘Liam Gillicks Szenarien’.
Liam Gillick im Gespräch mit Edgar Schmitz’,
in Kunstforum 163, Jan/Feb 2003, pp.204-211 |
2002 |
‘Hintergrund ist überall.
Liam Gillick’s The Wood Way’, in Raum,
Texte zur Kunst 47, Sept 2002, pp.180-182 |
|
‘plantplast’,
in exh. cat. Ilona Ruegg, Kunsthalle Bern 2002, pp.34-42 |
|
|
other |
|
2003-… |
Programmer and chair (with Lisa LeFeuvre)
of Sweatshop think tank series, Serpentine Gallery,
London |
2001-… |
Lecturer on Visual Cultures and Visual
Arts Programmes, Goldsmiths College, University of London |
1999-… |
London correspondent for Kunstforum
international, Cologne |
|
Regular contributor to Texte zur Kunst,
Berlin |
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