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          | Nicole Cohen |  
          | Eight ball Duration: 5 min.
 Production year: 2005
 Media: digital video installation
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          | Statement "eight ball" is a compilation dvd, which combines a still
            photograph and a video projections layered together to make up a
            punk teenage outbreak of destroying, what appears to be a grandparents
            living room (stylized from the 50's) or a possible waiting area.
            These three British teens dance wild, singing, throwing toilet paper,
            write on the walls and generally raise trouble. Although the viewer
            only is able to see a ghostly appearance of them in this small room,
            and not the actual damage performed. For the most part, they are
            contrasting the interior designed room, and are hoping to breakdown
            a possible stereotype, which goes with the space, by luring their
          audience into a chaotic performance.
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              | Education |  
              | 1999 | MFA, University of Southern California, Los Angeles |  
              | 1992 | BA, Hampshire College, Amherst, MA |  
              |  |  |  
              | Solo exhibitions |  
              | 2005 | Luxe Gallery, New York, NY |  
              | 2003 | 40-Love, Shoshana Wayne Gallery, Santa Monica, CA |  
              |  | My Vie en Rose, Media Field, Williams College Museum of Art,
                Williamstown, MA |  
              | 2001 | Van Fantasies, Sara Meltzer Gallery, New York, NY |  
              | 2000 | Fantasy Space & Crystal Ball: Dreamhouse, Shoshana Wayne
                Gallery, Santa Monica, CA |  
              | 1998 | Video Drawings, Helen Lindhurst Fine Arts Gallery, University
                of Southern California, Los Angeles, CA |  
              | 1992 | Guards, Harold Johnson Gallery, Hampshire College, Amherst,
                MA |  
              |  |  |  
              | Group exhibitions |  
              | 2005 | 4 New Works: DIVA:Digital and Video Art Fair (Armory Art Fair),
                Frere Independent, New York, NY |  
              | 2004 | DOMICILE:  A Sense of Place, CoCa, curated by Jim O' Donnell,
                Seattle, WA |  
              |  | Simply Drawn, Luxe Gallery, New York, NY |  
              |  | The Garden Lab Experiment, co-curated by Fritz Haeg and Francois
                Perrin, Wind Tunnel, Art Center College of Design, asadena, CA |  
              |  | Stop & Stor, Luxe Gallery, New York, NY |  
              |  | USA Today, Galleri s.e., Bergen, Norway |  
              |  | Too Jewish – Not Jewish Enough, Bell Family Gallery,
                The Jewish |  
              |  | Federation, Los Angeles |  
              | 2003 | PA, Corcoran Museum of Art, Art in Embassies, ashington D.C. |  
              |  | Sunday Morning, U.S. Embassy in Paris, Paris, France |  
              |  | NUEVA, curated by Matthew Clark, Laforet Museum, |  
              |  | Harajuku, Japan, Kobe, Osaka, Seoul, Shanghai, |  
              |  | Tokyo (travelling exhibition) |  
              |  | Signals from a Deserted Outpost, Chapman University Gallery,
                Orange, CA |  
              |  | Threading Technology, curated by Christina Valentine The Brewery
                Project, Los Angeles, CA |  
              |  | Surface Tension, curated by Cassandra Coblentz,The Fabric Workshop
                and Museum, Philadelphia, PA |  
              |  | Light and Spaced-out, curated by Carlos Cartenas, Gallery Loevenbruc,
                Paris, CentreD'Art Passarelle, Brest, France |  
              |  | (travelling exhibition) |  
              |  | Still Life- Still Here, curated by Jaime Villaneda, The Armory
                Center for the Arts, Pasadena, CA |  
              | 2002 | seeing, LACMA Lab, Los Angeles County Museum of Art, Los Angeles,
                CA |  
              | 2001 | Summer 2001, Shoshana Wayne Gallery, Santa Monica, CA |  
              |  | I See You 2, organized by Sam Messer and Kiki Smith, Fredericks
                Freiser Gallery, New York, NY |  
              |  | Travelogue, The Orange County Museum for Contemporary Art,
                Santa Ana, CA |  
              | 2000 | Seizure!, Artplace, Los Angeles, CA |  
              |  | Video Blowout, Crazy Space, 18th Street Complex, Santa Monica,
                CA |  
              |  | Non Satis Scire, Harold Johnson Gallery, Hampshire College,
                MA Dream House, Miller Durazo, Los Angeles, CA |  
              |  | Spurgeon, Santa Ana, CA |  
              |  | IN formation, curated by Arzu Arda Kosar and Gul Cagin, Claremont |  
              |  | University Gallery, Claremont, CA |  
              |  | Privatized, Artist Space Independent Grant Exhibition, Brooklyn,
                NY |  
              |  | re: Moved, Brewery Project, Los Angeles, CA |  
              |  | It's About Time, Riverside Art Museum, Riverside, CA |  
              |  | Juried 2000, Patricia Correia Gallery, Santa Monica, CA |  
              |  | Art In Motion, Interactive & Multimedia Event, Helen Lindhurst |  
              |  | Gallery, University of Southern California, Los Angeles, CA |  
              | 1999 | Video Show, Museum Hotel, Wellington, New Zealand |  
              |  | Basic Drawing: Complex Projects, East Los Angeles College,
                Los Angeles, CA |  
              |  | Portfolios, Saddleback College Gallery, Mission Viejo, CA |  
              |  | Trajectories, University of Southern California MFA exhibition, |  
              |  | Shoshana Wayne Gallery, Santa Monica, CA |  
              |  | Live Fictions, School of Cinema and Television, University
                of Southern |  
              |  | California, Los Angeles, CA |  
              |  | CAA Juried Exhibition, LA Municipal Gallery, Barnsdall Art
                Park, Los Angeles, CA |  
              |  | Art for Art Sake, Threadwaxing Space, New York, NY |  
              |  | Ninety-Nine, Miller Durazo, Los Angeles, CA |  
              |  |  |  
              | Distinctions |  
              | 2000 | Artist Space Independent Grant, Privatized, Brooklyn, NY |  
              | 1999 | Southern California Worldwide Grant, SC/W, University of Southern
                California, Los Angeles (to curate ten exhibitions worldwide
                in alternative spaces) |  |  |