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          | Dominik Lejman |  
          | The Running Track Duration: video loop (40 min ), 2:09min. each segment
 Production year: 2004
 source: mini DV, media: DVD (repeat option included)
 StatementHow much time is left to be recognized as a single individual involved
                in his/her own personal daily ritual before merging in to the
                statistical abstraction? Ment as a projection piece, my video
                uses a loop structure as a genre for the obsessivness of daily
                ritual performed on the running truck. Running backwards, a performer
                when struggling with his insufficiency of behaviour, dissapears
                into the void - environment attempting to adjust his daily scenario
          into the requirements of the running truck's pace.
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              | Biography |  
              | Domink Lejman was born in 1969 in Gdaƒsk (Poland). |  
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              | Education |  
              | 1989 – 1993 | Academy of Fine Art, Gdaƒsk |  
              | 1993 – 1995 | Royal College of Art, Degree of Master of Arts, London |  
              |  |  |  
              | Selected group exhibitions |  
              | 2004 | Stop&Stor, LUXE Gallery New York |  
              |  | Anxiety of Influence, Stadtgalerie Bern |  
              |  | Distances? Le Plateau, Fonds regional d’art contemporain
                d’Ile-de-France, Paris |  
              |  | Architectures: Meta-structures of Humanity, Morphic Strategies
                of Exposure, |  
              |  | Polish Pavilion, 9th International Architecture Exhibition
                Venice 2004 |  
              | 2003 | A Decade, Centre for Contemporary Art Ujazdowski Castle, Warsaw |  
              |  | Artists in Residence, Location One, New York |  
              |  | Prague Biennale 1, National Gallery, Veletrzni Palac, Prague |  
              |  | Central Air Condition, Polnishes Institut, Berlin |  
              |  | Ogród Statystyczny, Galeria Bia∏a, Lublin |  
              | 2002 | Dominik Lejman, Capri, Berlin |  
              |  | Vital Statistics, Norrtalje Konsthall, Sweden |  
              |  | 4 Rooms, Bunkier Sztuki, Kraków |  
              |  | Basic Elements, Rauma Biennale Balticum 02, Rauman Taidemuseo,
                Finland |  
              | 2001 | A floor piece, PGS Sopot/ State Gallery, Sopot |  
              |  | homeworkhome, office spaces +private flat |  
              |  | sexofficesex, Ba∏tycka Galeria Sztuki Wspó∏czesnej,
                S∏upsk |  
              |  | Re:location, OK Centrum für Gegenwartskunst, Linz, Austria |  
              | 2000 | After the Wall, National Galerie Hamburger Banhoff, Berlin |  
              |  | Scena 2000 Centre for Contemporary Art Ujazdowski Castle, Warsaw |  
              |  | The Luxury of Survival,  Centre for Contemporary Art Ujazdowski
                Castle, Warsaw |  
              | 1999 | After the Wall, Moderna Museet, Stockholm, Museum Ludwig, Budapest |  
              |  |  |  
              | Public projects |  
              | 2002 | Hospital as a landscape for the little spectacles, Culture
                2000, Art dans la Cite, Paediatric Hospital AM ul.Dzia∏dowska,
                Warsaw |  
              | 2003 | Mapping Discoveries II, Paediatric Hospital, Galeria Arsena∏ Bialystok |  
              | 2004 | Animating Spaces, RxArt project for Shneider’s Children
                Hospital, Long Island, NY |  
              |  | Con/sequenze, sight–specific video installation, Villa
                Cellimontana, Rome |  
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              | Residencies |  
              | 1997-98 | Gasworks Studios, London |  |  |